This is the only one that was produced by the folks and then after Wei Liangfu (year of birth and death is unknown). The above folk characteristics exist in almost all voices and dramas. Therefore, the methods and techniques for handling singing or music in opera singing or performance often include composition methods. In other words, the process of composing music and the process of singing (playing) are combined into one. Fourth, in historical opera music creation, the singer (play) is also the composer, and the process of singing (playing) is also the process of composing. Traditional opera music is constantly evolving and changing following this evolutionary way of folk music. This variability can make the same accent evolve into accents with different styles or regional voices singing in the same drama genre can form genres with different characteristics. Due to different people's conditions and different dialects, the tone of oral singing will change a lot. Third, historical opera music has been constantly evolving through oral singing. It is the result of collective creation for generations and embodies the artistic wisdom of generations of people. Second, the music of each type of drama is not created by a single composer, but the product of the long-term development of folk music. It is closely related to local voices, folk songs, and rap music in various places. First, opera music is rooted in the folk and has a solid mass foundation. The creation of opera music still has the nature of folk creation, and to a large extent retains several characteristics of folk music.
Chinese opera music is folk music in nature.
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